KKAA Newsletter #15 (May 4, 2024) See in English 日本語で見る

#15 December 14, 2018


In the mountains of Kawakami village in Nara Prefecture, I participated in the "ritual" felling of Yoshino cedar trees (height 50m) which were planted 280 years ago. I heard that such a scale of logging hadn’t been conducted in more than a decade.

I was surprised that the people of the mountain referred to the felling of these large trees simply as "thinning". Traditionally, seedlings of Yoshino Cedar are planted at a surprising density of 1,000 trees per square meter and on a very steep slope. This high density of planting along with frequent thinning creates an amazingly beautiful and straight grain in the wood of these trees. As well, the threshold between the summer (light) grain and winter (dark) grain allows moisture to pass freely and maximizes respiration, making the wood very well suited for sake barrels. The technology of sake brewery was born and developed in Nara, and thanks to this cedar barrel, a unique collaboration between nature and humans began.

Sen no Rikyu, the founder and master of the Japanese tea ceremony, was aware of the subtlety of the grain of Yoshino cedars. Rikyu designed chopsticks called ranchu-bashi (made of cedar) which has sharpened tips on both ends. When inviting his guests, Rikyu would send someone to Yoshino to obtain this delicate tree. At the national stadium, now under construction, Yoshino cedar will also be applied in key areas of the interior. I imagine that Sen no Rikyu would understand the reason.

The timber-felling which I witnessed was mythically wondrous. To be present at the falling of such massive trees which lived over 280 years was extremely shocking and overwhelming. The people from this area even set up a temporary alter in front of the forest for prayer. A 6mm steel cable was tied high around the trees and it didn’t take even ten minutes until they were pulled down with a special chain saw (blade length of 130cm) to complete the work. They first cut out a triangle on the side of trunk, such that the trees fall perpendicular to the slope, rather than down into the valley. There is a special method in Yoshino called hagarashi (drying the leaves), which dries the fallen trees in place for six months to one year in order to acquire the cedar’s light and bright coloring. I learned that every point in the process of cultivation - from the dense planting, logging to drying – was a collaboration between the nature and humans.

When the big trees finally fell, the earth shook, causing a low vibration to echo through the mountains. My body trembled in resonance, and I was left in tears.

Kengo Kuma © Onebeat Breakzenya

ProjectsTaoThis is a Taoist temple devoted to the god of Taoism, Kikoku-shi, and located in the mountains of Shinpu, 70 km south of Taipei. Instead of placing the roof on top of a box, we simply placed this organic-shaped roof directly on the ground. By warping the edge of the roof that is pulled up from the ground, we achieved a unique shape that enables people to enter from the corner of the hipped roof, rather than the typical entrances of gabled or flat roofed houses. There are no pillars or beams, nor a framing for the roof. It is a wooden dome structure where rigidity is secured simply from the joist and the roofing board. We used 50mm laminated plywood joists arranged at a distance of 500mm. Thus, we were able to realize a certain kind of rhythm in the structure, similar to tokyoo – the extending entablature that used to support wooden buildings in many Asian countries. Read More
ProjectsTLDC Tsumiki PavilionThis is a mobile pavilion assembled from 400mm tsumiki designed for the 2018 Flower Expo in Taichung. We wanted this structure to be a prototype of “democratic” architecture, in which ordinary people can take part in its construction. By combining the tsumiki, we can build small items such as chairs, tables, and planters as well something as large one as this 10m X 10m X 7m tall pavilion. For the material of tsumiki, we chose pieces of larch plywood with 24mm-thickness. They are widely available and we dream of this tsumiki-architecture being spread all over the world. Read More
ProjectsStarbucks Hualienbay StoreWe designed a mobile café with recycled containers in Hualien, a spot popular for sightseeing in Taiwan. We stack up the 40 foot containers to a height of four levels, by staggering in the angle of 90 degrees to create a transparent building like a tall tree. Since they are stacked in a rotating pattern, we were able to produce various types of terraces as well. I believe that the porous 'Urban Forest' that makes good use of the containers can be a new prototype of sustainable architecture and lightweight mobility. Read More
ProjectsTakagi Gakuen KindergartenIn collaboration with art director Chie Morimoto, we designed a kindergarten without divisions between architecture, graphics, and art: giving the space a fun and happy atmosphere. Morimoto’s pictures are printed all over wall as if to fuse dream and reality – this is a wondrous space for children which has emerged from the heart of Yokohama. Read More
ProjectsHarmonica AmamiWe designed a specialty shop for local products from Amami Oshima island. The banyan trees which are native to the island have peculiar and complicated aerial roots which look as if they are tying the branches to the ground. We drew inspiration from the banyan and tried to create a thick and dense space like the space found under this tree. The taste of brown sugar shochu offered there is exceptionally good. Read More
ProjectsSunnyhills’ AppleSunny Hills, the KKAA-designed shop selling pineapple cakes, recently launched their new apple cakes. As a way of promoting, we designed wooden furniture, fixtures and signs with the help of the latest parametric design tools. The shop has the characteristics of cloud-like structure made of thin wooden pieces of 60mm square. So as to be in harmony with these particles and their rhythmic arrangement, we assembled 12mm plywood panels. Thanks to today’s advanced parametric modelling, even the materials are processed automatically (by laser cutter), which enables us to work with a multitude of materials at various scales. This project is an example of KKAA’s approach which takes advantage of the computational technology to acquire a new natural form. Read More