KKAA Newsletter #28 (April 26, 2024) See in English 日本語で見る

#28 February 10, 2020


I just finished writing two books. I surprised myself that I was able to find the time to write two books while I was so busy with the design of the new National Stadium, but it can also be said that this was the perfect time to write them. That is to say, the level of pressure caused by the “New National Stadium” that I had never experienced in my life before pushed me to write these two books. If I had not been involved in the “New National Stadium” project, it would not have been possible for me to create these two books.

One of these books is called “Point and Line to Plane”, and is being published by Iwanami Shoten, Publishers. I decided that I wanted to summarize the differences between architects in the former generation that use the same architectural methods that I do, and architects in the age of modernism that came before this. I call the method that I use of “Point and Line to Plane” the particle method. “Point and Line to Plane” has the same name as the book authored by Wassily Kandinsky, the Russian painter who was a central figure at the Bauhaus. I was shocked when I read this book while in high school, and have kept it by my side ever since then. What excited me even more while I was writing my version of “Point and Line to Plane” was thinking about the parallel relationship of modern physics since the advent of quantum mechanics and my methods.

Corbusier and other modernists thought that they had a parallel relationship with Einstein, but it appears to me that the basis of modernism was the static mechanics of Newton. The movement of objects in space according to equations created by Newton represented the first stage of classical mechanics. In the second stage, time and space were connected, but there was still not a law (equation). The age of physics after the advent of quantum mechanics that contradicted the existence of a law governing everything along with the super expansion and super contraction of the target universe, or namely traditional physics, represented the third stage.
This three stage theory provided a real view of the current status of the world, allowing me to see the parallel relationship between my methods as an architect and the methods used since the emergence of quantum mechanics, which excited me quite a bit. I learned a lot about cutting edge quantum mechanics from the series of books written by Hiroshi Ooguri who is highly praised by Hiroshi Hara, a former teacher of mine.

The other book that I wrote called “Human Dwellings” that is being published by Shinchosha Publishing is the definitive edition of an autobiography that I have continued to write for quite a while. When three auxiliary lines are drawn on 1964, 1985 and 2020, my life and my methods came into view much more clearly that I imagined. From this perspective, the acquisition of an auxiliary line called 2020 was the reason I was able to write this book.

“Point and Line to Plane”
“Human Dwellings”

Kengo Kuma © Onebeat Breakzenya

ProjectsTomioka Warehouse No.3 WarehouseCarbon-fiber reinforced plastic (CFRP) was used to seismically reinforce the No. 3 wooden Warehouse in front of Tomioka Station, the city that is known for the production of silk, and was reborn as a facility for interaction in the community.Steel is normally used for seismic reinforcement of wooden structures, but the weight of the steel that is added has an adverse impact on seismic performance. In addition, the texture of steel has the problem of detracting from the softness of wood.On the other hand, carbon fiber only has one twentieth the weight of steel, higher tensile strength than steel, features a soft texture, and has been used in a number of cases for seismic reinforcement of traditional wooden structures.Carbon fiber is being used here as if to perform threading and reinforce wooden structures, as well as allow large openings to be made. This integrates the old warehouse with the plaza, creating subtle and transparent public space along with the Tomioka City Hall which we designed that is suitable for Tomioka, the City of Silk. Read More
ProjectsMikuni Izu KogenSituated high atop a cliff on the Izu Peninsula, this restaurant overlooks Sagami Bay. Throughout history, various methods of construction have been developed to mediate between architecture and the extremely complex topography of Japan. One of these methods, kakezukuri, uses supports to float the building out over a steep slope, as famously represented in Kiyomizu Temple in Kyoto. For this project, we produced a transparent kakezukuri using a hybrid wood-steel frame; supporting the roof with cypress planks spanning up to 11.4 meters. As a result, we were able to realize a cypress cloud materializing from the densely vegetated cliff. In perfect harmony with the aroma of cypress emanating from the architecture, the chef, Mr. Kiyomi Mikuni, makes the best use of the natural ingredients of Izu in his cuisine. Read More
ProjectsTalking GorillaShimokitazawa station recently underwent an extensive renewal. Taking inspiration from the town of Shimokitazawa, we designed a “Tetchan” Yakitori Bar in the new station. We scattered around parts of old neon signs collected from Berlin’s Arkonaplatz flea market in order to create a ‘junky’ Yakitori bar, an image typical of ‘Shimokita’. Now the neon signs flash among the swarm of casual pubs in this town. Read More
ProjectsLodi Veterinary UniversityThe project is the campus for the Veterinary School of the University of Milan, located on the plains of Lombardy. Inspired by the traditional courtyard style of Lombardy farm houses, we defined the space by intersecting low-rise building blocks. We kept the existing canal and designed the architecture to cross over it like a bridge in order to unite landscape and architecture. We also set a large eave projecting at the front of the building to create an intermediary area like Japanese engawa, often used as a little place for chatting. By applying wooden plans for the façade and the ceiling, we were able to give warmth and a certain rhythm to the building, which can fuse into the lush greenery of Lombardy. Read More