KKAA Newsletter #9 (May 3, 2024) See in English 日本語で見る

#9 June 29, 2018


Though I travel a lot, I rarely get sick during that time. Unfortunately, during this past Golden Week (Japanese spring holiday week), this was not the case. I suffered from pneumonia and struggled all the way back to Japan. I realized at that moment that I had a history of coming down with something during my Golden Week trips.

This year, the journey started from still chilly Akita prefecture, traveling through China, then Italy, Sri Lanka, and Morocco. Obviously, I couldn’t adjust quickly enough to cope with the extreme gaps of temperatures among these places.

We designed pavilions in those countries. For all of the projects, KKAA’s idea and method of assembling small pieces to build up a whole structure remained the same. However, what has emerged in the end vary surprisingly from place to place – naturally. For example, for the pavilion set up in the sculpture park in Arte Sella, Italy, we used pieces of solid wood with a thickness of 58mm to withstand the harsh climate in the mountains. To the contrary, the one we displayed at the Rabat Biennale in Morocco (below photo) was built with 15mm-thick plywood, which turned out to be a sharp geometric structure inspired by the motif of traditional Moroccan latticework

Each pavilion has its own character and reflects well the diversity of the world. If only our bodies could adapt so comfortable to that same diversity.

Kengo Kuma © Onebeat Breakzenya

ProjectsKodamaArte Sella is a holy place for environmental artworks in Italy. In this beautiful forest we created a spherical pavilion of 4 meter-high by assembling pieces of solid (Japanese) larch, each in the thickness of 58mm, without using a single metal fitting or glue. It is an experiment of a new “democratic” way of construction that proves a big and relaxed space can be built by the work of human hands alone with small unified components. This natural and modernistic pavilion was realized in the precision of 1mm, which was the product of collaboration among Professor Marco Imperadori at Politecnico di Milano, Marco Clozza of D3WOOD, and Jun Sato, structural engineer, Ri-Legno,wooden construction company. Read More
ProjectsBreath/ngWe presented it as a soft, sustainable installation made with cloth named Breath, which has a function of adsorbing air pollutants. By adding pleating to Breath, we increased the surface area of the cloth in order to enhance its ability of absorbing pollutants. In this way, we were able to obtain flexibility to respond to any kind of organic form. The overall shape was simulated by 3D CAD of Dassault Systèmes, and materialized with carbon fiber and flexible joints produced from a 3D printer. The installation was prepared originally for the event of Dassault and unitized later. A single unit of this installation is designed to absorb volatile organic compounds (VOCs) from the number of cars as many as 90,000 a year. Read More
ProjectsArchives Antoni ClavéThe Clave Archive is private museum housing the works of Antoni Clave (1913-2005), an artist representing 20th century Spanish art. Inspired by the powerful texture of Clave’s work, including oil painting and collage, we decided to spread washi over sheets of expanded aluminum mesh, generating a new kind of texture with a sense of solidity and transparency. We used the sheets as screens throughout the interior of the building. The screens were prepared in western France by Yasuo Kobayashi, a washi manufacturer, whose studio is in Niigata. During the process of washi making, the mesh sheet is soaked in a starchy liquid made from kozo (mulberry) and sunset hibiscus. Various levels of transparency were achieved by controlling and adjusting thickness of the solution and the way washi is dried. Read More
ProjectsShared House in OjiWe renovated a wooden house and garden built in Tokyo before World War II, transforming it into a shared residence for international students. While preserving the exterior and structure, we redesigned the house to accommodate up to eight people by installing partitions, shoji screens, and lighting. Using washi throughout the house proved an effective way to gently connect all the rooms and spaces. Read More
ProjectsMokumaku HouseNagaoka sees some of the heaviest snowfall in Japan. We designed a warm house made of wood and membrane, evoking a paper lantern in the snow, and sandwiched the wooden structure with two kinds of membranes using glass cloth as the base material. This fills the room with a gentle light, and adds a warm color to the snowy landscape. Read More